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53 of 57 found the following review helpful:
Jump Cuts and Loose EndsMay 04, 2001
By S. Schell
"It's the most fun I've ever had working on a film," Matt Damon gushed in one of numerous interviews for director Billy Bob Thornton's western epic, an adaptation of the novel by Cormac McCarthy that originally hit bookstore shelves back in 1992. Sad to say, Mr. Damon, it wasn't so fun to WATCH Thornton's finished product. "All The Pretty Horses" is like trying to interpret someone's bad dream, all scattered images and unintelligible action thrown together in a two-hour video. It is obvious in the first 30 minutes of "ATPH" that integral parts of the film were cut to fill a specific time frame. Enormous amounts of footage that would've made the film more understandable and perhaps even more enjoyable ended up on the cutting room floor due to squabbles between Thornton and studio execs. From what would've been a potentially long film (almost four hours, to be exact) it was severely sliced down to a mere 116 minutes by the hacksaw editors at Miramax and the film suffers greatly because of it. The story is as follows: John Grady Cole (Damon) is a young man in late 1940's Texas who dreams of living the life of a prosperous rancher. He is determined to see and experience the old frontier before it disappears for good and makes a plan to travel to Mexico on horse with his good friend Lacy Rawlins (Thomas). On route, they meet tough-talking teen Jimmy Blevins, a young fugitive traversing the desert landscape on a stolen horse. He leaves the entourage only days later, dodging authorities for a second-theft of the same nature. Sans Blevins, John and Lacy cross the border and find work taming wild steeds for a man named Rocha, the most prestigious rancher in the area. Trouble brews when good ol' John falls for Rocha's beautiful daughter Alejandra (Cruz). Despite the tumult that their interracial relationship will cause, they begin seeing each other in secret and fall madly in love. About fifteen minutes after John and Alejandra are officially an item (it occurs so quickly - it's almost implausible), he and Lacy are detained by the local captain for murder and meet up with Blevins again when they are thrown into a filthy cell with him after their arrest. John and Lacy do time in a Mexican penitentiary (don't know how long; hard to tell) and Alejandra is completely out of the picture for the next hour. It's at about this point in the movie that people who have not read McCarthy's novel will be thinking, "What's the hell's going on here?" They have good reason to ask this question, for nothing makes sense because of Thornton's massive amount of missing footage (probably about an hour and a half's worth, if I carefully judge). What will really boggle people is the relationship between John and Alejandra. The dialogue between them is too insubstantial and vague; their wordless exchanges aren't nearly enough to justify their instantaneous love affair. In a matter of minutes, John and Alejandra go from perfect strangers to voracious paramours, a tangle of limbs beneath the sheets. You don't see any emotional growth to their relationship. Instead, it's...BAM - they're in love! Cruz's Alejandra is reticent one moment and in the next moment knocking on Damon's bedroom door every night for a romantic rendezvous. Even their love scenes are shown in jump cuts, each shot of them kissing and embracing only seconds long. Fade in, fade out - and that's the way it goes. There is no insight to gain for their sudden chemistry and their heartrending romance. Of course, this is due to the faulty editing that is so apparent throughout the whole movie. Many other defects stand out to the ardent observer. For example, Henry Thomas and Matt Damon look not the least bit rugged in their travails across the border. There is not a millimeter of stubble visible on their baby faces, even after several days in the rough and unforgiving terrain of Texas and Mexico with no hygiene whatsoever, not to mention an arduous stint in a filthy and fearsome penitentiary. They remain clean-shaven through it all. Not very realistic, if you ask me. It is hard for me to critique most of the performances in this film because of all the missing pieces, but I will say this: Lucas Black RULED the screen. Black was the high of the lows and a welcome spark to the extensive and languorous shots of the Mexican range. Cocksure and completely resolved to keep both his horse and gun to his minute list of possessions, Black's strong-headed Blevins is a spunky refresher when someone becomes bored with John and Lacy's dreamy trek across the border. Despite its greatest flaw, "All The Pretty Horses" still manages to come off as a striking and meaningful piece of work from a progressive director. I sincerely hope that within the next year, Thornton releases a director's cut version on DVD so that audiences predisposed to shunning this insufferable edition will get a chance to see Thornton's original and complete vision before the production axe came down with a loud and deadly crack.
28 of 29 found the following review helpful:
 You ain't never been struck by lightning.Mar 02, 2005
By A. Gyurisin
"good friend, damn fool"
I don't think I will ever understand the disappointing backlash against this film. What I witnessed was not your typical "western" film full of passionate love and implausible events. Instead, what I saw was beautifully captured images, powerful acting by Damon and Thomas, a story that twisted further down a darkened rabbit hole than I was expecting, and this challenging character study that gave us a brief insight to a world that will never be seen by our eyes again. This was not the romantic film that it was marketed as, this was not the adventure that it was marketed as, but instead it was the story of one character and the tribulations that effect him on his journey into the real world. It is the story of a very compassionate man that sees the honest darkness of those around him and must face the consequences of his actions. It showcases amazing acting that may be a bit disturbing for the unfamiliar eye, but to me was nothing short of brilliant. Billy Bob successfully adapted the story from the page, but it was not the film that he wanted. Miramax butchered this film in the marketing aspect, which ultimately hurt it overall. I will never understand why this did not receive the praise it should have, but will never be ashamed to bring it out for friends and family to enjoy. This film was like finding a dollar in the couch, an unexpected surprise that keeps a smile on your face the rest of the day.
I have read several reviews that just completely dismantle Damon's acting in this film. While his accent does fade in and out randomly, it is the way that he carries himself and reacts to the situations that unfold before him that really showcase the true acting ability of this star. While I do not think that Bennifer has made the best choices to challenge his career, Damon continually proves that he has the ability to be a force in Hollywood. This film alone proves it. He built this beautiful chemistry between him and Cruz that teetered on fear and sorrow. He showed his compassion towards Blevins and Lacey continually throughout the film showing that his idea of friendship was stronger than anyone expected. His strength and will shined brightly when he was ultimately faced with death. These are all moments where other actors would have cheapened it up and tried to fake the audience instead of showing the truth. I thought Damon showed us honesty, he showed us a part of him that I was not expecting. If you couldn't tell already, he really impressed me. But yet so did everyone else in this film. I honestly thought that the kid from Sling Blade, Lucas Black, would never work again, and I was skeptical of him in this film, but he was exceptional. He took us away from his character in Sling Blade and built a whole new name for himself. He took the challenges of this character and pushed them out of the television. The same can be said for Henry Thomas that continues to impress me with his ability to capture his moments and make them so real. Finally, Billy Bob did a great job of casting the rest of this film to bring the images and feelings of the time period to light. I could feel the dusty world of Texas and Mexico through the smaller characters that he cast.
Speaking of Billy Bob, could we not agree that these actors wouldn't have been half as good if it were not for the amazing direction behind the camera. I wish that I could have seen his version of the film instead of the choppy Miramax version. He has a very gifted eye, and while sometimes he takes roles that I think blur that eye, he always seems to rebound with a very riveting performance. He is constantly experimenting with genres and styles, and this film shows that he can break traditional boundaries. The images that he captured on film help create this darkness that surrounded our main characters. The scene with the thunderstorm I thought was beautiful, as was the rolling Mexican landscape. He places us into the film as more than just observers, and that is a sign of a great director.
Finally, I would like to pose the question of why Grady was so infatuated with Blevins? There were several moments during the film where he could have simply walked away from the boy, and Lacey even suggested it continually, but they always stayed with him. I realize that a main reason may be to develop the plot, but I think there was a more symbolic meaning. I feel that Damon connected with the boy because they had a kindred spirit. Damon was this passive, controlled character that never really understood himself until later on in the film, while Blevins was this wild-hair that never controlled himself or thought about his decisions. It was as if they were polar opposites, but yet they were perfectly matched. I think Damon liked him because it was what he aspired to be. I sometimes felt that the secondary characters were not real, and sometimes they were just imaginary images of what Damon wanted himself to be more like. This thought created a much darker picture for me that forced this film to go deeper into my mind and be more enjoyable than I thought.
Overall, I really liked this film. While others will definitely disagree, I thought that the acting, story, and especially the direction deserved more attention that what was handed to it.
Grade: ***** out of *****
12 of 13 found the following review helpful:
See it for yourselfAug 08, 2005
By R. Davis
"Pharmair"
I've read several reviews for this movie that were less than flattering. But, in all fairness, this is a very good movie. Maybe it's not as complete as the book. But, what movie is? The actors are all convincing in the roles they play. The story is very good. And, if you are from west Texas, the scenery in this movie will be an added bonus. Watch it for yourself.
9 of 10 found the following review helpful:
 a total snoozeJul 03, 2001
By Roland E. Zwick
If a movie could ever be used to prove the existence of entropy, "All the Pretty Horses" would definitely be it. Here is a film so devoid of energy and momentum that it seems to be not a movie at all but a succession of still images fading in and out of each other at an enervating pace. Put simply, as director, Billy Bob Thornton has made a world-class snorer out of Cormac McCarthy's best selling novel, for, indeed, rarely has an adventure story seemed so lackluster in its pacing, so inert in its narrative momentum. The characters even seem to talk in muted whispers, as if they were afraid to violate the atmosphere of profundity that surrounds the project. All that would be fine if the film actually had something profound to say. Unfortunately, this is a pretty shallow story filled with deeper meanings hinted at but never explored and characters who are never given the screen time to grow into fully developed people in their own right. Matt Damon and Henry Thomas star as two Texas cowboys who head to Mexico looking for adventure and en route end up befriending a disturbed teenager, working as horse wranglers on a tycoon's ranch and even spending time in a Mexican penitentiary. In its bare boned outlining, this plot seems rife with possibilities. However, it is difficult to overestimate just how tediously it all plays out on screen. For one thing, the motives for many of the characters' actions remain murky at best, partly, I feel, because the authors rarely seem to know where to best concentrate their focus for maximum clarity and effect. The quirky and enigmatic teen, for instance, who has the potential to be the most interesting character in the story, disappears through large chunks of the film, so that poor-as-dirt Damon, in one of the oldest plot devices known to man, can play footsy with the tycoon's beautiful, dark-haired daughter. The movie tries to imply that the rich man feels hurt and betrayed by Damon's romancing of his daughter because he has grown so fond and trusting of the young man. Yet, we never really see that bond developing. We are simply told it exists and are expected to react accordingly. This is the case with much of the film. Despite the movie's near-two hour running time, we never feel like we get to know or understand any of these characters. The landscapes are pretty, but the deadly pacing of the film destroys our interest even in THEM. Ultimately, the film feels unformed, as if it were nothing more than a series of unrelated incidents arbitrarily strung together in a pointless slow-moving jumble. Maybe the pretty pictures (and even the "pretty horses") and the charisma of Matt Damon will be enough to keep your interest at peak levels for the duration of the film. Just be forewarned, though: movies don't get much more soporific than "All the Pretty Horses." My advice is to keep a pillow handy.
6 of 6 found the following review helpful:
All the Pretty HorsesMay 10, 2001
By R. Reyes
"all play and no work"
I read All The Pretty Horses when it first came out, which was a long time before the film was produced, so my memory was painted in broad strokes, and films, being what they are, are also painted in broad strokes as adaptations. I was intensely satisfied with what I saw, and added the DVD to my permanant collection. As Ive read others opinions, I almost feel as though I wasnt suppose to like it, but I did. I bear no prejudice towards Matt Damon, or his acting ability, or his personality, and I thought his acting was splendid, as was Henry Thomas and really, the entire cast. It was understated, subtle, yet effective. As for fully developing the relationship with Alejandra...hell, I fall in love with Penelope Cruz every time I lay my eyes on her, whats so hard to believe that it was love at first sight? When I read the book, and I shared it with many many people, the first 100 pages was really hard to get through. Once past it, it became a love affair between my eyes and the words on the pages. Most people who commented to me had the same reaction. I thought it was a great film, and I was disappointed that the industry, and the public didnt like it as much as I did. I, too, would love to see a Directors Cut. Id buy it as well.
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