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23 of 23 found the following review helpful:
ken loach comes to americaFeb 25, 2000
in carlla's song, ken loach explores love in the midst of hell when a reckless and irresponsible bus driver (robert carlyle) falls in love with a beautiful but suicidal nicaraguan refugee(oyanka cabezas). she is suffering from severe case of survivor's guilt and as the driver falls deeper and deeper in love with her, it becomes obvious that he is going to have to quelle her nigtmares and that means taking her back to a nicaraguan war zone to confront her demons. Ken loach's matter of fact ease with situational dialogue translates well into all of the necessary languages, and the result is a very special movie.
25 of 29 found the following review helpful:
Excellent filmJun 03, 1999
By oliver_golds@hotmail.com Possibly Ken Loach's finest work. If you only know Robert Carlyle from The Full Monty, then view this. Thee won't be a dry eye in the house. The DVD transfer is disappointing & the extras are minimal to say the least but the quality of the story & film making outshine any technical misgivingd
12 of 13 found the following review helpful:
Great filmAug 30, 2003
By Shusuke Shimonaka In this film, Director Ken loach sucessfully crystalized his unshaken belief on humanity. there's clear difference between his former film "land and freedom", both films descrive one indivisual goes through wartime in foreign country and the end of personal relationship they confront in the middle of chaotic situation. However, unlike "Land and freedom", the hero,Jorge,bus driver in Glassgow,never has been politically motivated character in the first place. He went to nicaragua together with his girlfriend, Carla, to help her to face her past by finding her ex-boyfriend and to overcome inner trauma and scar. Jorge eventully started being frustrated with his powerlessness against the inhuman crisis ongoing in her homeland. Contrally to "land and freedom" The story moves on from personal reality to political reality. Yet more importantly, this film beautifully captures one's spiritual growth through relationship. I think that's what makes this film so real, powefull and thought provoking one.
4 of 4 found the following review helpful:
What if?Oct 11, 2006
By Hiram Gomez Pardo As always, Ken Loach made of a simple story, a revealing, breathtaking and hard to forget movie around a Scottish bus driver and a Nicaraguan woman.
Inch by inch, a worthy film to watch.
5 of 6 found the following review helpful:
I WORKED FOR ACCION PERMANENTE CRISTIANA POR LA PAZ IN 1987: SAME AS THIS FILM AND IT IS REALOct 29, 2007
By C. Scanlon
"least helpful reviewer"
Coincidentally I worked in Nicaragua during the time and setting of this film and it is too real. I also knew Anita Setright who plays herself on our old front porch, although nearly ten years later as the film was made in 1996 or so. She still smiles benevolently in this movie. Seeing the contra attacks and their effects, the vehicles, and the walls and murals are very real to me. Too real.
Okay so the romance seems a bit hockey and the Paul Laverty narrative has a few gaps (how does she get quickly from her mother's house to La Experanza when the others have to hijack a bus? How does she learn really good English in only about seven months of exile in the British Isles? As an ESL teacher myself, I really want to know! How does Scott Glenn's character turn so quickly from CIA trainer in torture and attack one year to peaceworker the next, unless he's a CIA plant infiltrating the Accion Pte., as I so often suspected, and one by the way who makes stylistic criticisms of people's reports of contra war crimes: "We're Witness for Peace, not War and Peace"?).
And as many house parties as I attended, with cumbia and palo de mayo music, etc., I never saw anyone do a split. Nice to hear the Nicaraguan marimba.
Well, there's some holes in the narratives, especially in Glasgow (can a driver really empty and hijack the double decker bus to go for a joy ride with a new prospect? Can a double decker really drive on mud without flipping like an SUV or van? Can Paul Laverty ever get heterosexual love right?), but the action in Nicaragua could be newsreel; it could be straight from the photos and videos we used to record the contra atrocities funded and trained by the Reagan/BUSH administration and Ollie North and Negroponte (who has had such a high position in the current Iraq chaos - these war criminals do not get fired as they deserve; they get rehired!). In fact the action was really too real for me, except that Loach-Laverty always soften things up a bit. The US directed contra would have replaced Antonio's tongue with more intimate organs, as so often recorded, and not left him alive. Would Carla herself have survived her injuries out in the field?
Laverty and Loach do try to present socio-economic realities and projects in a dramatic and engaging way, but please do follow up with primary sources such as Christianity and Revolution: Tomas Borge's Theology of Life. Let this movie be a portal to the reality of this history and a warning for our present dirty little war. Nowadays all those old women and girls living out on the farming coop would be targetted for airstrike as insurgents, and my Catholic Church ambulance would not long have gone deep in the mountains and through the rivers as we always did (with me wondering how much longer). Sad the day we stopped to pick up the teeth of some beloved fellow parishioners, and the lady who ran the marriage orientations, after their pick up had hit a US supplied Claymore mine.
This movie bears much reality. See it. The Sandinista National Liberation Front candidate Daniel Ortega has again been openly, freely and fairly elected president of Nicaragua (twice more than Bush). La lucha sigue.
And I am another who wishes for English subtitles for the ancient Pictish English of Glasgow, possibly a locale because some residents there still wish for their own national liberation from London. An unstated irony.
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